“Greenwich time best, longitude west,” chants my logical mind; “and you must grant that twenty hours and twenty-five minutes is better than eight hours and nine minutes.” There is a familiar and strange illusion experienced by all who climb isolated mountains. The higher one climbs, the more of the earth’s surface becomes visible, and the effect of this is that the horizon seems up-hill from the observer. This illusion is especially notable on Haleakala, for the old volcano rises directly from the sea without buttresses or connecting ranges. In consequence, as fast as we climbed up the grim slope of Haleakala, still faster did Haleakala, ourselves, and all about us, sink down into the centre of what appeared a profound abyss. Everywhere, far above us, towered the horizon. The ocean sloped down from the horizon to us. The higher we climbed, the deeper did we seem to sink down, the farther above us shone the horizon, and the steeper pitched the grade up to that horizontal line where sky and ocean met. It was weird and unreal, and vagrant thoughts of Simm’s Hole and of the volcano through which Jules Verne journeyed to the centre of the earth flitted through one’s mind.!

“It has never happened,” was the answer. “It is the custom to give and give back again.” Paul explained the pictures to Felicite. And, in fact, this was her only literary education.

During the first few days, Virginia felt stronger, owing to the change of air and the action of the sea-baths. She took them in her little chemise, as she had no bathing suit, and afterwards her nurse dressed her in the cabin of a customs officer, which was used for that purpose by other bathers. Possibly the proudest achievement of my life, my moment of highest living, occurred when I was seventeen. I was in a three-masted schooner off the coast of Japan. We were in a typhoon. All hands had been on deck most of the night. I was called from my bunk at seven in the morning to take the wheel. Not a stitch of canvas was set. We were running before it under bare poles, yet the schooner fairly tore along. The seas were all of an eighth of a mile apart, and the wind snatched the whitecaps from their summits, filling. The air so thick with driving spray that it was impossible to see more than two waves at a time. The schooner was almost unmanageable, rolling her rail under to starboard and to port, veering and yawing anywhere between south-east and south-west, and threatening, when the huge seas lifted under her quarter, to broach to. Had she broached to, she would ultimately have been reported lost with all hands and no tidings. The scenery between Vieiras’s (where the Kaupo Gap empties into the sea) and Lana, which we covered in half a day, is well worth a week or month; but, wildly beautiful as it is, it becomes pale and small in comparison with the wonderland that lies beyond the rubber plantations between Hana and the Honomanu Gulch. Two days were required to cover this marvellous stretch, which lies on the windward side of Haleakala. The people who dwell there call it the “ditch country,” an unprepossessing name, but it has no other. Nobody else ever comes there. Nobody else knows anything about it. With the exception of a handful of men, whom business has brought there, nobody has heard of the ditch country of Maui. Now a ditch is a ditch, assumably muddy, and usually traversing uninteresting and monotonous landscapes. But the Nahiku Ditch is not an ordinary ditch. The windward side of Haleakala is serried by a thousand precipitous gorges, down which rush as many torrents, each torrent of which achieves a score of cascades and waterfalls before it reaches the sea. More rain comes down here than in any other region in the world. In 1904 the year’s downpour was four hundred and twenty inches. Water means sugar, and sugar is the backbone of the territory of Hawaii, wherefore the Nahiku Ditch, which is not a ditch, but a chain of tunnels. The water travels underground, appearing only at intervals to leap a gorge, travelling high in the air on a giddy flume and plunging into and through the opposing mountain. This magnificent waterway is called a “ditch,” and with equal appropriateness can Cleopatra’s barge be called a box-car.