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"I'm here," she cries, in the glad happy tones that have been ringing their changes in his heart all day. "You may as well call it a train; people like it better," says Geoffrey. "I'm sure I don't know why, but perhaps it sounds better." Every flower has opened wide its pretty eye, because the sun, that so long has been a stranger, has returned to them, and is gazing down upon them with ardent love. They—fond nurslings of an hour—accept his tardy attentions, and, though, still chilled and desolee because of the sad touches of winter that still remain, gaze with rapt admiration at the great Ph[oe]bus, as he sits enthroned above..
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"Yes, really, you know. I'm in earnest," declares Mr. Darling, laughing too. He is quite delighted with Mona. To find his path through life strewn with people who will laugh with him, or even at him, is his idea of perfect bliss. So he chatters on to her until, bed-hour coming, and candles being forced into notice, he is at length obliged to tear himself away from her and follow the men to the smoking-room. "If you say all that," he says, "there will be wigs on the green: that's Irish, isn't it? or something like it, and very well applied too. The first part of your speech sounded like Toole or Brough, I'm not sure which." "You are an artiste," says Geoffrey, with a deep sigh when she has finished. "Who taught you, child? But there is no use in such a question. Nobody could teach it to you: you must feel it as you sing. And yet you are scarcely to be envied. Your singing has betrayed to me one thing: if ever you suffer any great trouble it will kill you." Mona tries to say something,—anything that will be kind and sympathetic,—but words fail her. Her lips part, but no sound escapes them. The terrible reality of the moment terrifies and overcomes her..
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