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But Mrs. Bennett wasn’t blaming any one; she didn’t really know what the excitement was all about. Up on the hillside one of the brothers still plied the hoe; and now the other came from the back door and walked down the road with his milk can in his hand. Billy had “the creeps” for a minute, and cowered closer; but no one saw him. Now was the time! He would never have such a chance again. During Betty’s illness these one-sided dialogues were more than usually plentiful. In this way only was Mrs. Wopp able to alleviate the “gnawin’ at her heart-strings” as she said, at having Betty so ill. It also kept the boy alive to the fact that life’s path was not strewn with “cabbage roses.” Such, at least, were the confidences poured into the sympathetic ear of his pinto..

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The amused laugh of Nell Gordon, who sat beside Mrs. Wopp, floated past the youthful pair in front and perhaps helped to embue Moses with the reckless spirit of Jehu. The boy secretly admired his teacher, though he had an idea he would soundly pummel any boy with sufficient temerity to accuse him of it. Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor. “This froth looks like soapsuds,” he complained. “I’ve never worked,” May Nell said reminiscently; “but there’s one hard thing I’ve done—I’ve kept very still when mama has her headaches.”.