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From where he stood Billy could see the distress in her face. He must think of a way to get her, and he must, must hurry! “I think the linin’ of Miss Gordon’s cloud needs polishin’ these days,” ventured Betty, shyly. “I sorter hoped Moses’d take arter Uncle Josh, too,” she said, regretfully..

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The three men lined up in front of the closed door, and one of the deputies quickly threw it open. For an instant the officers stood motionless with weapons drawn. Billy watched with fascinated eyes; the moment the door opened forgot orders, ran and crouched behind the Sheriff, peering under his uplifted arm. There in the lurid firelight that streamed through the closed window, stood the two men he had seen before, hands up, rigid, staring into pistol barrels. Floor boards were torn up; strange vessels, scales, various paraphernalia Billy could not understand, lay about them; while in a deep hole they had dug, a small, iron-bound chest was partially covered with earth. The men’s faces were smutched, streaming with perspiration, and pale with terror. “The Lord loveth a cheerful liver, Moses,” said his mother encouragingly, as she saw the growing acidity of the boy’s countenance. Mrs. Wopp had never forgotten a certain missionary service, during which she had studied a text in gold lettering of old English type on the wall. The uncertain light of stained glass falling on the last word had made it difficult to read. But at last realizing that a sound liver and cheerfulness are closely associated, she had seen no incongruity in her translation of the text. Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them. “Billy! You’re freezing!” She sprang up and turned on the light..