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Nothing loth to keep the distance between himself and Nell at a minimum, Howard Eliot entered with zest into the boy’s plans. By the time the deep apple-pie was brought in, raised in the centre by a cup, he had become facetious, and turning a mirthful countenance to Nell, he whispered audibly, “Isn’t it just like Fuji Yama?” Before Nell could answer, Betty broke in. In the meantime Mr. Wopp sitting precariously on the edge of the sofa was examining for at least the two-hundredth time the red plush album which contained the records of the Wopp family, past and present, in picture form. He looked long and earnestly at a tin-type representing a plump, velvet-coated, mop-haired boy of twelve. He sighed deeply..

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“Hev you ever hed a toothache an’ orl at onct it bust an’ stopped achin’? Well, no matter what trouble yer in, jist a sight o’ Betty’s like that.” Harold turned and looked to where May Nell stood with the twins, sorting her flowers. “Isn’t she a daisy, though? Little—why, she’s only a baby.” A loud whisper from Pete Stolway disturbed the orator. The orchestra were tuning up, that delightful tilting at the notes that precedes the overture. To Moses were revealed such vistaed glimpses of trees and mountains and rivers as his young eyes had never seen. He saw nothing but the gorgeous scenery and the blaze of lights, and heard nothing but the booming of the drum in the overture. Then becoming more used to the glare and clamor, he cocked one eye aloft and saw youths of his own age eating peanuts in the gallery. It made his mouth water. He surveyed the obnoxious offenders however with the nonchalance of one who has already dined sumptuously. Outwardly Moses was an overgrown, freckle-faced, well-fed boy of commonplace propensities; inwardly he was a battery fully charged..