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"Do you really?" asks Mona, earnestly. "But why should night produce melancholy?" says Nicholas, dreamily. "It is but a reflection of the greater light, after all. What does Richter call it? 'The great shadow and profile of day.' It is our own morbid fancies that make us dread it." Mona has no time to hear more; pale, but collected, she walks deliberately into the room and up to Lady Rodney..

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When the people heard this they said to one another, "Ah, it is a man-wolf who has done all this. We must catch him." So they took down to the piskun1 pemmican and nice back fat and placed it there, and many of them hid close by. After dark the wolves came, as was their custom, and when the man-wolf saw the good food, he ran to it and began to eat. Then the people rushed upon him from every side and caught him with ropes, and tied him and took him to a lodge, and when they had brought him inside to the light of the fire, at once they knew who it was. They said, "Why, this is the man who was lost." About half-past two next day they start for Anadale. Not Violet, or Captain Rodney, who have elected to go on a mission of their own, nor Nicholas, who has gone up to London. A pause. A strange scene presents itself to their expectant gaze. Before them is a large room (if so it can be called), possessed of no flooring but the bare brown earth that Mother Nature has supplied. To their right is a huge fireplace, where, upon the hearthstone, turf lies burning dimly, emitting the strong aromatic perfume that belongs to it. Near it crouches an old woman with her blue-checked apron thrown above her head, who rocks herself to and fro in silent grief, and with every long-drawn breath—that seems to break from her breast like a stormy wave upon a desert shore—brings her old withered palms together with a gesture indicative of despair..