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To her it is always as though he is devoid of name. It is always "he" and "his" and "him," all through, as though no other man existed upon earth. "It is very good of you to say that," says Nolly, meekly but gratefully. "It gives me great support. You honestly believe, then, that I may escape?" "But to find you like this"—begins Mona. And then overcome by grief and agitation, she covers her face with her hands, and bursts into tears..
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Conrad
"Not clever," says Mona. "If I were clever I should not take for granted—as I always do—that what people say they must mean. I myself could not wear a double face." "You are all wet. Do go home and change your clothes," says Mona, who is still sitting on the grass with her gown spread carefully around her. "Or perhaps"-reluctantly—"it will be better for you to go to the farm, where Bridget will look after you." "What! kiss the Australian? I'd see him—very well—that is—ahem! I certainly would not, you know," says Mr. Rodney. It was in the boudoir they were sitting, and Violet was dressed in some soft gray dress that shone and turned into palest pearl as she moved. It was his mother's boudoir, the room she most affects, with its crimson and gray coloring and its artistic arrangements, that blend so harmoniously, and are so tremendously becoming to the complexion when the blinds are lowered. How pretty Mona would look in a gray and crimson room? how——.
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