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"'In the midst of life we are in debt,'" says Nolly, solemnly. Which is the best thing he could have said, as it makes them all laugh in spite of their pending misfortunes.,

"Yes, yes; I promise for him," says Dr. Bland. "In fact, I have something to say to your husband that must be told at once.",

"Dear me," she says, throwing up her dainty head, and flinging, with a petulant gesture, the unoffending grass far from her, "what an escape I have had! How his mother would have hated me! Surely I should count it lucky that I discovered all about her in time. Because really it doesn't so very much matter; I dare say I shall manage to be quite perfectly happy here again, after a little bit, just as I have been all my life—before he came. And when he is gone"—she pauses, chokes back with stern determination a very heavy sigh, and then goes on hastily and with suspicious bitterness, "What a temper he has! Horrid! The way he flung away my hand, as if he detested me, and flounced down that hill, as if he hoped never to set eyes on me again! With no 'good-by,' or 'by your leave,' or 'with your leave,' or a word of farewell, or a backward glance, or anything! I do hope he has taken me at my word, and that he will go straight back, without seeing me again, to his own odious country.",

"And do say it is like it," says Mona, entreatingly.

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"I think the days are lengthening," says Violet, quietly, defending Mona unconsciously, and almost without knowing why. Yet in her heart—against her will as it were—she is making room for this Irish girl, who, with her great appealing eyes and tender ways, is not to be resisted.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.,

"Yes. Hurry, darling. If you think you can bear it, you should lose no time. Minutes even, I fear, are precious in this case.",

"Why should they fall out again?" says Rodney, a little angrily, hearing only her careless laugh, and—man-like—ignoring stupidly the pain in her lovely eyes. "Unless people choose to forget."