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"Is it possible you see nothing to admire?" says Mona, with intense disgust.,

In those days the old Piegans lived in the north, close to the Red Deer River. The camp moved, and the lodges were pitched on the river. One day two old men who were close friends had gone out from the camp to find some straight cherry shoots with which to make arrows. After they had gathered their shafts, they sat down on a high bank by the river and began to peel the bark from the shoots. The river was high. One of these men was named Weasel Heart and the other Fisher.,

"You have grounds for saying so, of course?",

As soon as it was dark, the man called the chiefs and old men to his lodge, and his wife taught them the song that she had heard. They prayed too, as the stone had said should be done. Before long they heard far off a noise coming. It was the tramp of a great herd of buffalo. Then they knew that the stone was powerful, and since that time the people have taken care of it and have prayed to it.

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The moments come and go. The fire is dying out. No sound but that of the falling cinders comes to disturb the stillness that reigns within the library. Mona is vaguely, wondering what the end of it all will be. And then at last the silence is broken. A noise upon the gravel outside, a quick rush up the balcony steps; some one emerges from the gloom of the night, and comes into the room through the open window. Mona utters a passionate cry of relief and joy. It is Geoffrey!,

"Yes. I forgive you," she says, almost in a whisper, with a seriousness that amounts to solemnity.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.,

Altogether it is a very exciting and pleasurable moment.