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Emilia, the elder, inherited much of her mother's disposition. She had a mild and sweet temper, united with a clear and comprehensive mind. Her younger sister, Julia, was of a more lively cast. An extreme sensibility subjected her to frequent uneasiness; her temper was warm, but generous; she was quickly irritated, and quickly appeased; and to a reproof, however gentle, she would often weep, but was never sullen. Her imagination was ardent, and her mind early exhibited symptoms of genius. It was the particular care of Madame de Menon to counteract those traits in the disposition of her young pupils, which appeared inimical to their future happiness; and for this task she had abilities which entitled her to hope for success. A series of early misfortunes had entendered her heart, without weakening the powers of her understanding. In retirement she had acquired tranquillity, and had almost lost the consciousness of those sorrows which yet threw a soft and not unpleasing shade over her character. She loved her young charge with maternal fondness, and their gradual improvement and respectful tenderness repaid all her anxiety. Madame excelled in music and drawing. She had often forgot her sorrows in these amusements, when her mind was too much occupied to derive consolation from books, and she was assiduous to impart to Emilia and Julia a power so valuable as that of beguiling the sense of affliction. Emilia's taste led her to drawing, and she soon made rapid advances in that art. Julia was uncommonly susceptible of the charms of harmony. She had feelings which trembled in unison to all its various and enchanting powers.,

“It seems to me that you fellows hit on a really excellent plan to occupy your time during the summer. Who thought of it?” he asked after examining the plot.,

Emilia, the elder, inherited much of her mother's disposition. She had a mild and sweet temper, united with a clear and comprehensive mind. Her younger sister, Julia, was of a more lively cast. An extreme sensibility subjected her to frequent uneasiness; her temper was warm, but generous; she was quickly irritated, and quickly appeased; and to a reproof, however gentle, she would often weep, but was never sullen. Her imagination was ardent, and her mind early exhibited symptoms of genius. It was the particular care of Madame de Menon to counteract those traits in the disposition of her young pupils, which appeared inimical to their future happiness; and for this task she had abilities which entitled her to hope for success. A series of early misfortunes had entendered her heart, without weakening the powers of her understanding. In retirement she had acquired tranquillity, and had almost lost the consciousness of those sorrows which yet threw a soft and not unpleasing shade over her character. She loved her young charge with maternal fondness, and their gradual improvement and respectful tenderness repaid all her anxiety. Madame excelled in music and drawing. She had often forgot her sorrows in these amusements, when her mind was too much occupied to derive consolation from books, and she was assiduous to impart to Emilia and Julia a power so valuable as that of beguiling the sense of affliction. Emilia's taste led her to drawing, and she soon made rapid advances in that art. Julia was uncommonly susceptible of the charms of harmony. She had feelings which trembled in unison to all its various and enchanting powers.,

They rowed to the buoy and he climbed out upon it.

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While high in air, amid the rising storm,,

“I’ll bet a road could be made from the edge of the canyon to the top of the cliff,” asserted Bob confidently, “and what work had to be done here at the river bed could be managed by derricks and cranes from that spot. Don’t you think so?”,

“I don’t care what you came for,” flashed Bob. “Don’t try to sell out the other side now! It’s bad enough as it is without your double-crossing your new friends!”,

Panting, struggling, gasping, he fought on. His mind was filled with the horror of what would happen should he be too late. There was no way of telling how far Miguel had gone. The dam that kept him hidden from the Mexican, also hid the Mexican from him. He must—he must go on until he was well past the center of the dam—Miguel would do the job thoroughly if at all. Once there he must go through a fresh ordeal. He must climb out of the water and look over the edge of the dam in order to get his bearings and to find out where the Mexican had lit the fuse. Should he look over at the wrong spot and Miguel see him, it was the end—the end probably of his life and surely the finish of the coffer dam.