It represented a long, thin line of eminently respectable ladies and gentlemen in early Victorian costume. The men in peg-top trousers and silk stocks, the women in crinolines and poke bonnets. Among them, holding the hand of a benevolent-looking, stoutish gentleman, was a mere girl. The terminating frills of a white unmentionable garment showed beneath her skirts. She wore a porkpie hat with a feather in it. Into the picture, slightly to the background, she unconsciously placed Greyson. His tall, thin figure with its air of distinction seemed to fit in; Greyson would be very restful. She could see his handsome, ascetic face flush with pleasure as, after the guests were gone, she would lean over the back of his chair and caress for a moment his dark, soft hair tinged here and there with grey. He would always adore her, in that distant, undemonstrative way of his that would never be tiresome or exacting. They would have children. But not too many. That would make the house noisy and distract her from her work. They would be beautiful and clever; unless all the laws of heredity were to be set aside for her especial injury. She would train them, shape them to be the heirs of her labour, bearing her message to the generations that should follow.!

Madge flashed Joan a look. She considered Joan’s position already secured. Mrs. Denton was the doyen of women journalists. She edited a monthly review and was leader writer of one of the most important dailies, besides being the controlling spirit of various social movements. Anyone she “took up” would be assured of steady work. The pay might not be able to compete with the prices paid for more popular journalism, but it would afford a foundation, and give to Joan that opportunity for influence which was her main ambition. “I so love making them,” she said. “I say to myself, ‘It will all come right. God will send more and more of His Christ babies; till at last there will be thousands and thousands of them everywhere; and their love will change the world!’”

Her room was always kept ready for her. Often she would lie there, watching the moonlight creep across the floor; and a curious feeling would come to her of being something wandering, incomplete. She would see as through a mist the passionate, restless child with the rebellious eyes to whom the room had once belonged; and later the strangely self-possessed girl with that impalpable veil of mystery around her who would stand with folded hands, there by the window, seeming always to be listening. And she, too, had passed away. The tears would come into her eyes, and she would stretch out yearning arms towards their shadowy forms. But they would only turn upon her eyes that saw not, and would fade away. Joan expressed her thanks. She would like to have had more talk with the stern old lady, but was prevented by the entrance of two new comers. The first was Miss Lavery, a handsome, loud-toned young woman. She ran a nursing paper, but her chief interest was in the woman’s suffrage question, just then coming rapidly to the front. She had heard Joan speak at Cambridge and was eager to secure her adherence, being wishful to surround herself with a group of young and good-looking women who should take the movement out of the hands of the “frumps,” as she termed them. Her doubt was whether Joan would prove sufficiently tractable. She intended to offer her remunerative work upon the Nursing News without saying anything about the real motive behind, trusting to gratitude to make her task the easier. She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes.