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"I dunno. I s'pose he's prowlin' 'round the beech grove, up there. He said he intended lickin' every boy in this settlement on sight. You best not go lookin' fer him, Bill. I don't want'a see you get beat up on my account." He made for the Aurora and found Captain Weaver on board. He immediately related Mr Adams' story, and asked Captain Weaver if he had seen Miss Lucy Acton down by the Minorca or near her, or aboard of her shortly before she sailed. "Lucy, my dear," exclaimed Miss Acton, "play 'Now, Goody, Please to Moderate,' or 'My Lodging is on the Cold Ground,' or 'Sally in our Alley.' I do not care which. They are all very beautiful, and I know no song, brother, that carries me back like 'Sally in our Alley.' Do you remember how finely our father used to sing it? He was at Dr Burney's one night, sir," said she, talking to Mr Lawrence, "when a famous Italian singer of that day—who was it now?—she was as yellow as a guinea, and her hoops were so large there were many doors she could not pass through—who was it now? But no matter; after my father had sung she stepped over to him, and curtsying as though she would sit before him, she said: 'I have often heard this song sung and thought nothing of it. But now, sir, I shall ever regard it as the loveliest composition in English music.'".

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"Yes, sir, so he said; but the will was never found." The Aurora's boat was swept alongside the brig, and Captain Acton and the Admiral clambered over the side up a short flight of steps, and in an instant Lucy was clasped in the devouring embrace of her father. Such an old-world scene taxes the highest gifts of the pen or the brush. This Louisa Ann was about fifty years old; she was nearly as broad as she was long. Her fore-mast was stepped far in the bows; her decks were stained and grimy; the paint had faded out of the inside of her bulwarks. Her sails were patched and so dingy that they might have been coloured as a smack's. Her rusty sides were lined with yawning seams amid which three little circular windows were merged with no accentuation from the dirt-shrouded glass which prevented the sea from entering the blistered, worn, mani-coloured hull. Her sailors looked as though[Pg 359] they were shipwrecked: long-haired, bearded, sallow, in clothes considerably tattered, in aspect melancholy and dejected with lack of nourishment, dullness of sailing and ceaseless motion: for here was the tub wallowing like a buoy in a popple upon a smooth sea, and the frightful weather she would make off Cape Horn or in a gale of wind the imagination of a sailor could readily picture by witnessing her motions now. "Well, that's me an' you. Now then, what you s'pose I meant by them symbols? I meant this. I've gotta watch gap. Fetch your dog over an' we'll set him to watch it, an' we'll skin out an' go fishin'." If he doubted her insanity at all his suspicion had no stiffer ground than the shallow sand on which reposed his hope[Pg 327] that she was acting. Throughout this passage he did not think to consider her as the child of a great actress. To him she had always been a gentle, sweet, undemonstrative girl, ingenuous in speech, kind, charitable, beloved by the poor, one whose pursuits were amiable and pure. She was nimble and poetical with her pencil. She sang pretty songs prettily. Her beauty informed with a colour of its own the melodies her fingers evoked from the keys or strings of the instruments she touched. He could not think of her as having the talents of an actress, or even the tastes of one. He had never heard of her taking a part in a performance above a charade. Nothing, therefore, but madness or an extraordinary dramatic genius which it was impossible for him to think of her as possessing, could create those parts which she had enacted before him in a manner so immoderately life-like, so absolutely in unison with what he himself could conceive of the behaviour of madness, that deep in his soul might be found the conviction that she had lost her reason, and that his passionate, unprincipled love was the cause of it..