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Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother. “Yes, Mosey, I jist want to go to my mornin’-glory garding to tell it good-night.” She rubbed her sleepy tear-stained eyes. “Oh, please, mister, sir, don’t hurt Bouncer. I’d rather you’d hit me. He’s the best dog ever lived, and I won’t let you hurt him.” Her courage grew as she spoke, and he stopped his search and glanced her way. She looked up, bravely pleading for the dog she hugged harder..
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Several ladies of the district were already busy “scttin’ up” the quilt when Mrs. Wopp and her satellites entered the Mifsud parlor. An enlarged crayon portrait in a wide gilt frame of Moses as a baby in a state of round cherubic innocent nudity, had been added recently to the mural decorations and was especially well covered with cloths. The resourceful Betty was not to be undone by this embarrassing accident. She used the silk shawl to groom the ostrich and to mop the disfiguring stains from Moses’ face. The helmet was discarded and the aigret of red hair rose instantly undaunted, waving a lively accompaniment to the boy’s continued exertions to follow the pace set by Betty’s imagination. Lila Williams, with her dark curls falling over a pale blue gingham dress, stood watching the proceedings with impatience. She was yearning to burst into speech. As soon as St. Elmo’s cries were reduced to intermittent gum-droppy sobs she turned to Betty, and looking up trustfully into her brown eyes, she launched forth..
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