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“How in the world did you ever sleep through it, Billy?” his mother asked, coming in from the tank-room where she had been to investigate. “There is a small flood there. I should think the first drop would have wakened you.” As that long-suffering Mrs. Wopp wiped up the last traces of the chase she observed, “Moses’ footprints is twict as big as Betty’s, but hern is twict as many. They’ll shore git inter jist as much mischief, but Praise be! They’re both toein’ in the right d’rection.” “It’s time Billy was at home,” he heard his mother say as he opened her room door; and he stumbled on more hurriedly, across the bridge—at last, the Fo’castle!.

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Before school was dismissed Mannel Rodd, after earnest solicitation on the part of an older sister, was induced to mount the platform, where he shyly and with every evidence of stage fright recited, All went well for some blocks. There was a flattering audience at each front door; a few honored the pageant by following. These were mostly mothers of the younger children, who knew the possibilities of such an aggregation of animals and boys. Moses adored his little foster-sister when she was well; but sick, his adoration turned to blind worship. For several days Betty had been ill. Moses’ religion, bottled up during care-free days, burst forth in foam of intercession for Betty’s return to health. Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers..