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The man, seeing Mona, breaks from the woman, and comes up to her. As if they feared the light. "We all have regrets at times, dear boy, the very best of us," says the little doctor, blowing his nose: "who among us is faultless? And really the circumstances were very trying for you,—very—eh? Yes, of course one understands, you know; but death heals all divisions, and he is hurrying to his last account, poor lad, all too soon.".
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Conrad
"No. Of course I remember you now," says Mona, taking all this nonsense as quite bona fide sense in a maddeningly fascinating fashion. "How unkind I have been! But I was listening to the music, not to our introduction, when Sir Nicholas brought you up to me, and—and that is my only excuse." Then, sweetly, "You love music?" He had left Mona in the morning at the Grosvenor, and had run down to have it out with his mother and get her permission to bring Mona to the Towers to be introduced to her and his brothers. This he preferred to any formal calling on their parts. "What can I do for you?" she asks, gently. "Now, look here," he says, impressively: "I hope nobody is going to indulge in so much as a covert smile to-day." He glances severely at Nolly, who is already wreathed in smiles. "Because the Æsthetic won't have it. She wouldn't hear of it at any price. We must all be in tense! If you don't understand what that means, Mona, you had better learn at once. You are to be silent, rapt, lifted far above all the vulgar commonplaces of life. You may, if you like, go into a rapture over a colorless pebble, or shed tears of joy above a sickly lily; but avoid ordinary admiration.".
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