The nurse left her; and the landlady came in to lay the table. She understood that Joan would be dining with Mr. Phillips. There was no train till the eight-forty. She kept looking at Joan as she moved about the room. Joan was afraid she would begin to talk, but she must have felt Joan’s antagonism for she remained silent. Once their eyes met, and the woman leered at her. She had written to Folk. No female nurses were supposed to be allowed within the battle zone; but under pressure of shortage the French staff were relaxing the rule, and Folk had pledged himself to her discretion. “I am not doing you any kindness,” he had written. “You will have to share the common hardships and privations, and the danger is real. If I didn’t feel instinctively that underneath your mask of sweet reasonableness you are one of the most obstinate young women God ever made, and that without me you would probably get yourself into a still worse hole, I’d have refused.” And then followed a list of the things she was to be sure to take with her, including a pound or two of Keating’s insect powder, and a hint that it might save her trouble, if she had her hair cut short.!

Mrs. Phillips made yet another effort. “Have you thought about him?” she asked. Miss Tolley had chanced upon a Human Document, with the help of which she was hopeful of starting a “Press Controversy” concerning the morality, or otherwise, of “Running Waters.” The secretary stood just behind her, taking notes. They had drifted quite close. Joan could not help overhearing.

He had lost interest in politics. “I suppose she’s satisfied herself that he’s brainy,” she laughed. It was the first time he had risen since his appointment, and he was received with general cheers. He stood out curiously youthful against the background of grey-haired and bald-headed men behind him; and there was youth also in his clear, ringing voice that not even the vault-like atmosphere of that shadowless chamber could altogether rob of its vitality. He spoke simply and good-humouredly, without any attempt at rhetoric, relying chiefly upon a crescendo of telling facts that gradually, as he proceeded, roused the House to that tense stillness that comes to it when it begins to think.