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"I am very glad," says Mona, in a low tone. Yet pretty Dorothy at her very best moments had never looked, nor ever could look, as lovely as Mona appears now, as she stands with her hands loosely clasped before her, and the divine light of pity in her eyes, that are shining softly like twin stars. Thus adjured,—though in truth he requires little pressing, having been devoured with a desire since early dawn to reveal the hidden knowledge that is in his bosom,—Geoffrey relates to them the adventure of the night before. Indeed, he gives such a brilliant coloring to the tale that every one is stricken dumb with astonishment, Mona herself perhaps being the most astonished of all. However, like a good wife, she makes no comments, and contradicts his statements not at all, so that (emboldened by her evident determination not to interfere with anything he may choose to say) he gives them such a story as absolutely brings down the house,—metaphorically speaking..
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"Tell me about your mother," she says, folding her hands easily in her lap. "I mean,—what is she like? Is she cold, or proud, or stand-off?" There is keen anxiety in her tone. "I do. More than I can express. I see you," retorts he; at which they both give way to merriment, causing Geoffrey, who is walking with Lady Lilias, to dodge behind her back and bestow upon them an annihilating glance that Nolly afterwards describes as a "lurid glare." "And 'he is happier now than he has ever been in all his life before.' Pshaw!" exclaims Sir Nicholas, shutting up the letter impatiently. "He is mad!" "I am afraid you must class me with the ignorant," says Mona, shaking her pretty head. "I know nothing at all about thistles, except that donkeys love them!".
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