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"But to find you like this"—begins Mona. And then overcome by grief and agitation, she covers her face with her hands, and bursts into tears.,

After a time the water began to boil and the old man turned his quiver upside down over the pot, and immediately there came from it a sound of a child crying, as if it were being hurt. The old people both looked in the kettle and there they saw a little boy, and they quickly took him out of the water. They were surprised and did not know where the child had come from. The old woman wrapped the child up and wound a line about its wrappings to keep them in place, making a lashing for the child. Then they talked about it, wondering what should be done with it. They thought that if their son-in-law knew it was a boy he would kill it; so they determined to tell their daughters that the baby was a girl, for then their son-in-law would think that he was going to have another wife. So he would be glad. They called the child Kŭt-o-yĭs´—Clot of Blood.,

These first people did not have hands like a person; they had hands like a bear with long claws. They were poor and naked and did not know how to get a living. Old Man showed them the roots and the berries, and showed them how to gather these, and told them how at certain times of the year they should peel the bark off some trees and eat it; that the little animals that live in the ground—rats, squirrels, skunks, and beavers—were good to eat. He also taught them something about the roots that were good for medicine to cure sickness.,

"But you couldn't fondle a pig on your knees," says Mona, who is growing every minute more and more mixed.

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"A madness most discreet,,

"You're kindly welcome, sir," says the old man, bowing with the slow and heavy movement that belongs to the aged. There is dignity and warmth, however, in the salute, and Geoffrey accepts with pleasure the toil-worn hand his host presents to him a moment later. The breakfast is good, and, though composed of only country fare, is delicious to the young man, who has been walking since dawn, and whose appetite just now would have astonished those dwelling in crowded towns and living only on their excitements.,

"Yes, I excuse you," he says, with a curious stress upon the pronoun, and a rather strained smile. The room is filling with other people, the last dance having plainly come to an end. Geoffrey, taking Mona's arm, leads her into the hall.,

"If I was quite sure I shouldn't be dreadfully in the way," says Geoffrey, turning to Mona, she being mistress of the ceremonies.