He was reading every expression on her face. “It’s such a lovely evening,” he said. “Couldn’t we go somewhere and dine under a tree?”!

He nodded. “I thought you were an artist,” he said. “Don’t let them ever take your drum away from you. You’ll go to pieces and get into mischief without it.” “But I’ve won,” she said. “I’m dying further forward. I’ve helped advance the line.”

“Just all the difference,” answered Greyson, “between Pooh Bah as Chancellor of the Exchequer, or Lord High Admiral, or Chief Executioner, whichever he preferred to be, and Pooh Bah as all the Officers of State rolled into one. Pooh Bah may be a very able statesman, entitled to exert his legitimate influence. But, after all, his opinion is only the opinion of one old gentleman, with possible prejudices and preconceived convictions. The Mikado—or the people, according to locality—would like to hear the views of others of his ministers. He finds that the Lord Chancellor and the Lord Chief Justice and the Groom of the Bedchamber and the Attorney-General—the whole entire Cabinet, in short, are unanimously of the same opinion as Pooh Bah. He doesn’t know it’s only Pooh Bah speaking from different corners of the stage. The consensus of opinion convinces him. One statesman, however eminent, might err in judgment. But half a score of statesmen, all of one mind! One must accept their verdict.” “You looked so young,” he answered. “I had always had the idea that it was up to the old people to put the world to rights—that all I had to do was to look after myself. It came to me suddenly while you were talking to me—I mean while I was reading you: that if you were worrying yourself about it, I’d got to come in, too—that it would be mean of me not to. It wasn’t like being preached to. It was somebody calling for help.” Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel.