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Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it.,

She waits apparently for an answer, at which Mona grows desperate. For in reality she has heard not one word of the labored speech made to her, and is too frightened to think of anything to say except the unfortunate lesson learned in the carriage and repeated secretly so often since. She looks round helplessly for Geoffrey; but he is laughing with his brother, Captain Rodney, whom he has not seen since his return from India, and so Mona, cast upon her own resources, says,—,

A loose stone that has fallen from its home in the mountain-side above uprears itself in the middle of this turbulent stream. But it is too far from the edge, and Mona, standing irresolutely on the brink, pauses, as though half afraid to take the step that must either land her safely on the other side or else precipitate her into the angry little river.,

"I can't," says Mona; "it would be very unfair; and besides," petulantly, "it is all too absurd. Why, if Mr. Moore were to ask me to marry him ten thousand times again, I should never say anything but 'no.'"

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She makes various attempts at thinking it out. She places her pretty hands upon her prettier brows, under the mistaken impression common to most people that this attitude is conducive to the solution of mysteries; but with no result. Things will not arrange themselves.,

Geoffrey removes the heavy lace that lies round her throat, and then leads her up to the hearthrug nearly opposite to his mother's arm-chair.,

"What horse are you taking?" asks she, holding him.,

But, though "lost to sight," to memory he is most unpleasantly "dear." Standing alone in the middle of the deserted field, Mona pulls to pieces, in a jerky, fretful fashion, a blade of grass she has been idly holding during the late warm discussion. She is honestly very much frightened at what she has done, but obstinately declines to acknowledge it even to her own heart. In a foolish but natural manner she tries to deceive herself into the belief that what has happened has been much to her own advantage, and it will be a strict wisdom to rejoice over it.