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"You were right," said the young man. "This is surely the person who has hidden the buffalo." Nicholas is looking angry. Jack, sinking into a chair near Violet, says, in a whisper, that "it is a beastly shame his mother cannot let Mona alone. She seems, by Jove! bent on turning Geoffrey against her." Mona, in spite of her haste, stoops to pluck a bunch of violets and place them in her breast, as she goes upon her way. Up to this the beauty of the early spring day has drawn her out of herself, and compelled her to forget her errand. But as she comes near to the place appointed for the interview, a strange repugnance to go forward and face Paul Rodney makes her steps slower and her eyes heavy. And even as she comprehends how strongly she shrinks from the meeting with him, she looks up and sees the chestnut-tree in front of her, and the stream rushing merrily to the ocean, and Paul Rodney standing in his favorite attitude with his arms folded and his sombre eyes fixed eagerly upon her..
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The antelope felt so glad and proud that he had beaten the deer in the race that he was sure that wherever they might run he could beat him, so he said, "All right, I will run you a race in the timber. I have beaten you out here on the flat and I can beat you there." On this race they bet their dew-claws. The urn is hissing angrily, and breathing forth defiance with all his might. It is evidently possessed with the belief that the teapot has done it some mortal injury, and is waging on it war to the knife. As Mona advances to his side, through the gathering gloom of fast approaching night, pale almost as he is, and trembling in every limb, this miserable anxiety dies out of his face, leaving behind it a rest and peace unutterable. "Ay, where else?" answers the woman, sullenly who has joined them. "They brought him back to the home he will never rouse again with step or voice. 'Tis cold he is, an' silent this day.".
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