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"Where are you going—far from the camp?" asked the old woman. "Well, really, now you say it," says Geoffrey, as though suddenly struck with a satisfactory idea, "it is uncommonly like Nolly's tale: when you come to compare one with the other they sound almost similar." "And what color becomes you? Blue? that would suit your eyes, and it was blue you used to wear last month.".

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"What a little patriot!" says Rodney, pretending fear and stepping back from her. "Into what dangerous company have I fallen! And with what an accent you say 'your queen'! Do you then repudiate her? Is she not yours as well? Do you refuse to acknowledge her?" Mona, in spite of her haste, stoops to pluck a bunch of violets and place them in her breast, as she goes upon her way. Up to this the beauty of the early spring day has drawn her out of herself, and compelled her to forget her errand. But as she comes near to the place appointed for the interview, a strange repugnance to go forward and face Paul Rodney makes her steps slower and her eyes heavy. And even as she comprehends how strongly she shrinks from the meeting with him, she looks up and sees the chestnut-tree in front of her, and the stream rushing merrily to the ocean, and Paul Rodney standing in his favorite attitude with his arms folded and his sombre eyes fixed eagerly upon her. Yet Violet, with her pretty, slow, trainante voice and perfect manner, and small pale attractive face, and great eyes that seem too earnest for the fragile body to which they belong, is as naught before Mona, whose beauty is strong and undeniable, and whose charm lies as much in inward grace as in outward loveliness. The stranger, having come quite near, raises his head, and, seeing her, starts naturally, and also comes to a standstill. For a full half-minute he stares unpardonably, and then lifts his hat. Mona—who, as we have seen, is not great in emergencies—fails to notice the rudeness, in her own embarrassment, and therefore bows politely in return to his salutation..