Dear Mrs. Gereth smiled sweetly. "How could he, when our situation is such that he communicates with me only through you, and that you are so tortuous you conceal everything?" Fleda, as if she humbly assented, went through no form of controverting this; she simply stood passive to her companion's sudden refreshment of her appearance. "How can I get him away from her?" she presently demanded.!

"Wherever he is, I can bear it," Fleda said. "But I haven't the least idea where he is." There had been in the first place the exquisite old house itself, early Jacobean, supreme in every part: it was a provocation, an inspiration, a matchless canvas for the picture. Then there had been her husband's sympathy and generosity, his knowledge and love, their perfect accord and beautiful life together, twenty-six years of planning and seeking, a long, sunny harvest of taste and curiosity. Lastly, she never denied, there had been her personal gift, the genius, the passion, the patience of the collector—a patience, an almost infernal cunning, that had enabled her to do it all with a limited command of money. There wouldn't have been money enough for any one else, she said with pride, but there had been money enough for her. They had saved on lots of things in life, and there were lots of things they hadn't had, but they had had in every corner of Europe their swing among the Jews. It was fascinating to poor Fleda, who hadn't a penny in the world nor anything nice at home, and whose only treasure was her subtle mind, to hear this genuine English lady, fresh and fair, young in the fifties, declare with gayety and conviction that she was herself the greatest Jew who had ever tracked a victim. Fleda, with her mother dead, hadn't so much even as a home, and her nearest chance of one was that there was some appearance her sister would become engaged to a curate whose eldest brother was supposed to have property and would perhaps allow him something. Her father paid some of her bills, but he didn't like her to live with him; and she had lately, in Paris, with several hundred other young women, spent a year in a studio, arming herself for the battle of life by a course with an impressionist painter. She was determined to work, but her impressions, or somebody's else, were as yet her only material. Mrs. Gereth had told her she liked her because she had an extraordinary flair; but under the circumstances a flair was a questionable boon: in the dry places in which she had mainly moved she could have borne a chronic catarrh. She was constantly summoned to Cadogan Place, and before the month was out was kept to stay, to pay a visit of which the end, it was agreed, should have nothing to do with the beginning. She had a sense, partly exultant and partly alarmed, of having quickly become necessary to her imperious friend, who indeed gave a reason quite sufficient for it in telling her there was nobody else who understood. From Mrs. Gereth there was in these days an immense deal to understand, though it might be freely summed up in the circumstance that she was wretched. She told Fleda that she couldn't completely know why till she should have seen the things at Poynton. Fleda could perfectly grasp this connection, which was exactly one of the matters that, in their inner mystery, were a blank to everybody else.

If Fleda handed this communication to her friend as a triumphant gage of the innocence of the young man's heart, her elation lived but a moment after Mrs. Gereth had pounced upon the tell-tale spot in it. "Why in the world, then," that lady cried, "does he still not breathe a breath about the day, the day, the day?" She repeated the word with a crescendo of superior acuteness; she proclaimed that nothing could be more marked than its absence—an absence that simply spoke volumes. What did it prove in fine but that she was producing the effect she had toiled for—that she had settled or was rapidly settling Mona? CHAPTER VI "He hasn't told her so," Fleda said.