“Go away. I’se looking at myself,” had explained Joan, struggling furiously to regain the glass. “You’ll soon get used to it,” Joan told her. “The great thing is not to be afraid of one’s fate, whatever it is; but just to do one’s best.” It was rather like talking to a child.!

“Oh, why don’t you chuck it,” advised Miss Ensor, “give the Bourgeois a rest.” Joan watched her as gradually she shaped herself out of the shadows: the poor, thin, fretful lady of the ever restless hands, with her bursts of jealous passion, her long moods of sullen indifference: all her music turned to waste.

Miss Ensor gave a gesture of despair and applied herself to her pie. The hirsute face of Mr. Simson had lost the foolish aggressiveness that had irritated Joan. He seemed to be pondering matters. “You have got to consider the cost of refusal,” she said. “His offer wasn’t help or neutrality: it was help or opposition by every means in his power. He left me in no kind of doubt as to that. He’s not used to being challenged and he won’t be squeamish. You will have the whole of his Press against you, and every other journalistic and political influence that he possesses. He’s getting a hold upon the working classes. The Sunday Post has an enormous sale in the manufacturing towns; and he’s talking of starting another. Are you strong enough to fight him?” In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life.