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“Gee whiz!” ejaculated Bob. “This is worse than anything I’ve tackled before—ever!” “Not yet,” answered John. “The estimate for the dam itself is five million, three hundred thousand dollars, and the canals and other expenses will bring the entire cost up to over seven million.”.

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As he swam nearer to the object which was swirling around in the water, it constantly eluded his grasp, but he saw that it was Jerry. It was as if the river was playing tag with him, snatching the thing he wanted out of his reach. Reason told him that Jerry was dead. What was the use of his trying to keep up this endeavor when it was all so useless? But something kept him striving, held him to his aim. He couldn’t give up. With a last despairing lunge, he shot into the eddy and caught his comrade’s shoulder. With infinite pains he swam with his prize to the bank. Safely there, he had only strength to pull it halfway out of the water. "Well, if you will be a good girl, I will undertake that you shall go." She took her into her room, and said to her, "Go into the garden and bring me a pumpkin." Cinderella went at once, gathered the finest she could find, and brought it to her godmother, wondering the while how a pumpkin could enable her to go to the ball. Her godmother scooped it out, and, having left nothing but the rind, struck it with her wand, and the pumpkin was immediately changed into a beautiful coach, gilt all over. She then went and looked into the mouse-trap, where she found six mice, all alive. She told Cinderella to lift the door of the mouse-trap a little, and to each mouse, as it ran out, she gave a tap with her wand, and the mouse was immediately changed into a fine horse, so that at last there stood ready a handsome train of six horses, of a beautiful dappled mouse-grey colour. As she was in some difficulty as to what she could take to turn into a coachman, Cinderella said, "I will go and see if there is not a rat in the rat-trap; we will make a coachman of him." Friend, art afraid? Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart..