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"Could you not imagine you had one?" she says, presently as a last resource. "Certainly dear. Who is it?" On a low bed, with his eyes fastened eagerly upon the door, lies Paul Rodney, the dews of death already on his face..

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After that the little girl who was watching came into the lodge and said, "Pity me, man-eater, my mother is hungry and asks you for those bones." The old man gathered them together and handed them to her, and she took them out of the lodge. When she had gone a little way, she called all the dogs to her and threw down the bones to the dogs, crying out, "Look out, Kŭt-o-yĭs´, the dogs are eating you," and when she said that, Kŭt-o-yĭs´ arose from the pile of bones. There was a young man named Mīka´pi. Every morning when he awoke he heard the mourning of these poor widows, and all through the day he could not forget their sorrow. He pitied them. One day he sent his mother to them, to tell them that he wished to speak with them. When they had come to the lodge they entered and sat down close by the doorway and covered their heads. Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air. "Well, he was different," says Mona, giving in ignominiously. "I couldn't care for him either; but what I said is true all the same. Other people would not like me.".