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"No," he replied, "I am in a hurry; I cannot stop." "I never saw the easy-chair I could compare with this," he says, as though to himself, his voice full of truth. "You may depend upon me," says Rodney, lifting his hat, and respecting the elder man's care for the well-being of his beloved, even in the midst of his own immediate danger. Then, in another moment, Maxwell has turned his horse's head, and is soon out of sight..

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Success at last rests with her. Slowly the panel moves, and, sliding to one side, displays to view a tiny cupboard that for many years has been lost sight of by the Rodney family. It is very small, about half a foot in depth, with three small shelves inside. But, alas! these shelves are empty. "Good gracious, Mona, whom do you mean?" asks he, aghast both at her look and tone. Paul Rodney, true to his word, has put in an appearance, much to the amazement of many in the room. Almost as Mona's dance with Nolly is at an end, he makes his way to her, and asks her to give him the next. Unfortunately, she is not engaged for it, and, being unversed in polite evasions, she says yes, quietly, and is soon floating round the room with him. "Oh, I dare say. Yes, sometimes: but—" she hesitates, and this time the expression of her face cannot be misunderstood: dejection betrays itself in every line—"but it is not so with you, is it? No aunt has left you anything?".