“But to-day is to-day,” my literal mind insists. “I must correct the sun for to-day and not for yesterday.” “Impossible,” I muttered back. “Why should they be giving it to us? Besides, there is no room on the Snark for it. We could not eat a tithe of it. The rest would spoil. Maybe they are inviting us to the feast. At any rate, that they should give all that to us is impossible.”!

But I fooled the pair of them, and dosed them with their own medicine, which was faith-cure. They had faith in their funk that they were going to die. I slammed a lot of quinine down their throats and took their temperature. It was the first time I had used my medicine-chest thermometer, and I quickly discovered that it was worthless, that it had been produced for profit and not for service. If I had let on to my two patients that the thermometer did not work, there would have been two funerals in short order. Their temperature I swear was 105°. I solemnly made one and then the other smoke the thermometer, allowed an expression of satisfaction to irradiate my countenance, and joyfully told them that their temperature was 94°. Then I slammed more quinine down their throats, told them that any sickness or weakness they might experience would be due to the quinine, and left them to get well. And they did get well, Wada in spite of himself. If a man can die through a misapprehension, is there any immorality in making him live through a misapprehension? And the iron-work on the Snark, no matter what its source, proved to be mush. For instance, the bed-plate of the engine came from New York, and it was mush; so were the casting and gears for the windlass that came from San Francisco. And finally, there was the wrought iron used in the rigging, that carried away in all directions when the first strains were put upon it. Wrought iron, mind you, and it snapped like macaroni.

All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu. Next we came to a house of coolness, with great sweeping veranda, where lotus-eaters might dwell. Windows and doors were wide open to the breeze, and the songs and fragrances blew lazily in and out. The walls were hung with tapa-cloths. Couches with grass-woven covers invited everywhere, and there was a grand piano, that played, I was sure, nothing more exciting than lullabies. Servants—Japanese maids in native costume—drifted around and about, noiselessly, like butterflies. Everything was preternaturally cool. Here was no blazing down of a tropic sun upon an unshrinking sea. It was too good to be true. But it was not real. It was a dream-dwelling. I knew, for I turned suddenly and caught the grand piano cavorting in a spacious corner of the room. I did not say anything, for just then we were being received by a gracious woman, a beautiful Madonna, clad in flowing white and shod with sandals, who greeted us as though she had known us always. The mizzen is in and fast furled. In the night, what of the roll and the absence of wind, it had made life too hideous to be permitted to go on rasping at the mast, smashing at the tackles, and buffeting the empty air into hollow outbursts of sound. But the big mainsail is still on, and the staysail, jib, and flying-jib are snapping and slashing at their sheets with every roll. Every star is out. Just for luck I put the wheel hard over in the opposite direction to which it had been left by Hermann, and I lean back and gaze up at the stars. There is nothing else for me to do. There is nothing to be done with a sailing vessel rolling in a stark calm.